SUMMAH!!!

Stopping by the old blogspot to plug a couple of links...

I started a Tumblr page where I will mostly post from now on, but will keep this blog as a means to post more in detail behind my process on a piece or whatever.

jillsanvich.tumblr.com

Additionally, a few weeks ago, a couple of friends and I embarked on a great journey to further our skills by doing daily sketches for the summer and posting it here:

Da Sketch Friends


Here are some examples I did!

Other than that, I'm back from my solo trip from Europe. I saw many, many amazing pieces and sights over there that I couldn't find the time to sit down and sketch! Even though I was pretty nervous about going around all by myself, in the end, it was definitely an awesome experience! I definitely prefer having someone with me to share it though.

Ygritte

As a part time student for Spring, my only ANI class was ANI 130B: Advanced Digital Modeling. It really rekindled a fire for me to make use of modeling in my production pipeline. For our final project, we got to choose what we wanted to model, be it a character, environment, or prop. I went with challenging myself on making a 3-D version of Helen Chen's Ygritte print that I got from her when I went to APE last October. I love Game of Thrones, Ygritte is one of my favorite characters, and she got drawn by one of my favorite artists. While I was getting advise from an upperclassman modeler on taking a 2-D image to 3-D, he mentioned to me how sick it would be to get it 3-D printed!!! This made me even more stoked to start on this project and just see the final product on the palm of my hand.

The challenge was that I had only had one image to work off so there was a lot of work to be done. Luckily I had a partner to help me out with the project, Diem Doan. We spent quite a bit of time figuring out the structure and anatomy going on within the print because it had to make sense in a three dimensional plane rather than just a flat piece on the wall. 

At first, we got off the a rougher start than I expected. I just could not get the hold of Helen Chen's style, so I handed it off to Diem, who had a much better handle on it. This turnaround was definitely a back and forth process since we both could not get the turnaround to a satisfying point for our teacher. On his advise, we just started doing a basic shape model for her proportions. 

I did the body while Diem took over the head and hair. Making the body was quicker than I expected but the biggest challenge for me were her hands. I had to fiddle with it to make it look like they were the hands of a young woman rather than a man. Another difficult task that I encountered while working on her hand was figuring out how to connect her backhand armor (with fur) to her hand because we had to make it water-tight for printing. I'm glad to say that the amount of late night hours I spent on this hand was definitely worth it.

After the hands, I connected it with the body and waited for Diem to finish her head. Sadly, I don't have progress pics for those but I can say that she did an awesome job with it, despite how busy she was with her 117B class.

Once I got the head connected, I rigged the body using Maya's human rig so I can match the pose in the print. I had plenty of fun with myself just seeing this thing that I built move! 

After posing the model, with her holding the sword, I quickly made a super basic human model shape to go inside to hollow it out for printing. That way the printers would use less ink and it would be cheaper for the both of us. It consisted a lot of refining in Maya/Zbrush and uploading to the printer website to get a print that wouldn't be too thin in some places and big enough to justify the cost. We ended up scaling it to a 4.6 inch as a 5 inch and above got way too expensive. Unfortunately, even though we ordered early enough to receive our print, the package got lost somewhere in France. We still haven't found a resolution on the investigation on what happened to it, nor have we received a very good communication with the printing company, especially after we asked for a refund. It is sad to say that this last part of the project left a bittersweet taste in my mouth.

Despite a very bad ending to this story, it was definitely a fun project and it pushed me to try more modeling projects such as this. It made me realize that us 2-D artists take advantage of the 2-D plane and cheat without really thinking about it in a 3-D sense.

figure paint

Almost done with my figure painting class!! Here's a quick summary of my progression. It was my second time taking a figure painting class/workshop, and definitely plussed my painting skills in both traditional and digital aspects. We did two portraits and two full figures under natural lighting. 

Portraits were fun to do. I already had experience with oil painting portraits before taking the class, but my first portrait did not come out well. By the second portrait, I finally started to crack into the layers of making the head feel dimensional with color, especially playing off between warms and cools of the skin against natural lighting. 

This is my second full figure painting after the second session. By this point, I just let go and painted in cruise control at a leisurely pace. As I mentioned previously, I would think way too hard on what color/value/shape to put down on the figure, and my thoughts got muddled because I would think about all these things at the same time. I kept forgetting to slow down and break things down step by step because I'm still learning.

Fifth session, where I've changed the color of the background. I felt that the background came out too bland compared to the figure, and on the suggestion from my friend, Jon, I added some color present on the figure to the background. The change definitely help pop the figure out more.

Sixth session. Perspective issues aside, I love how this one came out, especially the legs.

al simmons

Uglow Study

My figure painting professor introduce our class to this artist, Euan Uglow. I really like how he paints his figures and I'm trying to emulate it with the painting I'm currently working on in class. Hopefully with more studies of his paintings I can understand the process more.

This one took 30 minutes. I took too long on getting legs "right" so I didn't even notice that the arm wasn't finished.

Sargent Study

I'm pretty annoyed that my figure painting is not coming out in the way I want it to. When I start to think about color, everything feels so muddled and I can't seem to stop myself and re-organize my thoughts. What better way to solve this problem by doing studies? So....I did a study of a Sargent portrait of Cornelius Vanderbilt in 30 minutes. I mostly color-picked but did my own color choices in some spots. It feels like a tiny step forward into grasping figure painting but I have to do more, specifically the full figure...

Ellie

This came from one of the poses I was going to use for my Zipa (more on that later) character. It turned into a doodle of Ellie because I had recently finished the The Last of Us: Left Behind DLC and it was pretty late into the night, my eyes burning from staring at the Cintiq the whole day (haha). I eventually started drawing Joel into the scene as well but decided to clean up this one more because of my almost last-minute idea of giving it to Ashley Johnson, the voice and mo-cap actress for Ellie, when she made an appearance in IGN. Just a small gift of appreciation of the hard work she (and the rest of Naughty Dog) put behind such a fantastic game.

They had a small meet and greet after shooting the Up at Noon show, and I gave her a print of this. I wish I had more time to print it out in higher quality, but that's the thing with last minute ideas: no time haha. But she looked pretty stoked when I gave it to her so that was awesome!!!

A huge THANKS to my bro, Bren, for letting me prod and poke him if anyone that worked on The Last of Us were going to make an appearance at his work. Follow him on the Twitters because he's pretty funny.